Merlin the Magician places a magic sword in a stone…whomever can pull it out is the rightful king. Can her long hair or love save her? The Sword in the Stone: a King Arthur Legend of the Sword StoryĪ Story of Courage, Justice and Self-Awareness. An evil witch has trapped Rapunzel in a tower.
Rapunzel’s Story ~ A Brothers Grimm Fairy Tale. But who is inside? Rapunzel by the Brothers Grimm ~ Bedtime StoriesĪ Story of Friendship, Love and Courage. When Hansel and Gretel go in search of food, they find a gingerbread house. Hansel and Gretel Bedtime Stories for Kids. Hansel and Gretel ~ Bedtime Stories for Kids Goldilocks finds the three bears cottage in the woods. Goldilocks and the Three Bears ~ Bedtime Stories for Kids. Guess his name and he will be gone…but what is his name? Goldilocks and the Three Bears ~ Bedtime Stories for Kids A strange little man is willing to help…for a price. Rumpelstiltskin ~ A Fairy Tale Bedtime Story for KidsĪ Grimm’s Brother Tale: A miller tells a tale that his daughter can turn straw into gold. The Classic fairy tale of the youngest daughter Beauty and a monstrous Beast. Beauty and the Beast Story Fairy Tale ~ Bedtime Story for ChildrenĪ Bedtime Story of Friendship and Love.
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If Pinocchio is to become a Real boy he needs to learn how to be honest, brave and true. The Classic Fairytale Story of Snow White with a Modern Twist: Who is the “fair”est of them all? Snow White of course! Pinocchio Story ~ Fairy Tale Bedtime Stories in English for KidsĪ Bedtime Story of Honesty, Courage and Truth. Snow White and the Seven Dwarfs Story ~ Bedtime Stories for Kids The Classic fairytale of Cinderella: a young girl, mistreated by her step-mother and step-sisters, who finds out that dreams really can come true.
Surrounded by a mountain of mementoes, nicely realised in Simon Higlett’s design, the sibling reunion is fraught with resentment but also shows the two men have been playing self-assigned roles. Walter is the brother who got out to enjoy a successful career as a wealthy surgeon. Victor, married to an alcohol-dependent wife, is a New York cop who sacrificed his studies to look after a dad ruined by the Great Depression. What we now see are two long-estranged brothers meeting to divide the family’s possessions.
If it is, it has stood the test of time and now emerges, in Jonathan Church’s superbly acted production with David Suchet in the show-stealing role of an old furniture-dealer, as one of Miller’s best plays: an exploration of our need for sustaining illusions because, as he himself wrote, the truth is too terrible to face.Īs in an Ibsen play, much of the real action has happened in the past. O n its Broadway debut in 1968, Arthur Miller’s play was dubbed by one critic “a museum piece”.